Which prores should i use
The chart below shows how the Apple ProRes' data rate compares to uncompressed Full HD resolution x bit and bit image sequences at According to the chart, even adopting the highest-quality ProRes formats— Apple ProRes XQ and Apple ProRes , offers significantly lower data usage than that of uncompressed images.
Login Language. Technical Knowledge. The advantages of using Apple ProRes codec in post-production are: Reduced computer workload, thanks to image compression ProRes slightly compresses each frame of the captured video, reducing video data. High-quality images ProRes uses bit encoding to obtain better color information with an efficient compression rate. Datavideo's 4K video product roadm An 8-bit camera can assign a value up to to Red, Green and Blue. Until recently 8-bit was the standard for consumer grade cameras, but recent cameras like the GH5 support bit.
Going from 8-bit with 16,, possible colors to bit with 1,,, possible colors gives more headroom in post-production and a better dynamic range. So the ProRes Family is divided into 2 sub groups. So if you have to color grade or do VFX work on your shots while re-exporting the footage. Choosing a HQ version of ProRes will retain the quality better over multiple generations. Your choice for the right ProRes version for you will depend on two things.
The balance between the quality you need and the amount of storage. Master and intermediate coloring files. If you want to retain as much information as possible and are planning to do heavy color and effects work on the footage.
Better file size than uncompressed but expect humongous files. Due to the 12 bit and no Chroma subsampling the best choice for quality. It supports alpha channels and preserves even the little details in HDR content generated with high quality cameras. The codec supports up to 16bits per image channel without alpha 12bits per channel. Significant file size. This is the codec we mostly use for high quality master files.
It preserves 16bits per RGBA channel. The codec features mastering quality in RGBA color with an extremely high quality. It is preserving the image quality from nearly every footage we ever worked with. We use cookies to let us know when you visit our websites, how you interact with us, to enrich your user experience, and to customize your relationship with our website. Click on the different category headings to find out more.
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